From an early age, Krisyan has always been interested in music composition.
It started in the Yeye period, like many young people, with pieces of the style of the variety (Slow ..).
With ball orchestras, he composed boleros, beguines, rampa cadences, and salsa.
Since 1972, he is interested only gwoka.
He composed traditional pieces and others more evolutionary.
First for small formations (KAFÉ, KATOURÉ) then for large orchestra (Ensemble Musical Knights Saint-Georges, CLASSI-KA, GWADLOUP-SENFONI).
His approach is simple, to a melody he adds a rhythm, then a line of melodic bass. Then he adds the other instruments (violins, cellos, double bass, trumpets, sax, oboe ... and steel-pan.
He also tried the biguine-ka with a work that allowed him to get a second prize of the competition of biguines.
From an early age, Krisyan has always been interested in music composition.
It started in the Yeye period, like many young people, with pieces of the style of the variety (Slow ..).
With ball orchestras, he composed boleros, beguines, rampa cadences, and salsa.
Since 1972, he is interested only gwoka.
He composed traditional pieces and others more evolutionary.
First for small formations (KAFÉ, KATOURÉ) then for large orchestra (Ensemble Musical Knights Saint-Georges, CLASSI-KA, GWADLOUP-SENFONI).
His approach is simple, to a melody he adds a rhythm, then a line of melodic bass. Then he adds the other instruments (violins, cellos, double bass, trumpets, sax, oboe ... and steel-pan.
He also tried the biguine-ka with a work that allowed him to get a second prize of the competition of biguines.
From an early age, Krisyan has always been interested in music composition.
It started in the "Yéyé" period, like many young people, with pieces of the style of the variety (Slow ..).
With ball orchestras, he composed boleros, biguines, cadences rampa, and salsa.
Since 1972, he is interested only gwoka.
He composed traditional pieces and others more evolutionary.
First for small formations (KAFÉ, KATOURÉ) then for large orchestra (Ensemble Musical Chevalier Saint-Georges, CLASSI-KA, GWADLOUP-SENFONI).
His approach is simple, to a melody he adds a rhythm, then a line of melodic bass. Then he adds the other instruments (violins, cellos, double bass, trumpets, sax, oboe ... and steel-pan.
He also tried the biguine-ka with a work that allowed him to get a second prize of the competition of biguines.